The cut echoes Folb's purple structure, layering on beats and bass over a simplistic melody. It's actually in service of the Classical era mindframe established by the A-Side. While Beethoven is sometimes considered a composer straddling the Classical and Romantic periods, FreQ and Marty still echo the reigning ideology of his time period: rejecting the ornateness of Baroque compositions by taking a simple melody and really hammering that home. The trend from over-the-top dubstep to simple trap in today's EDM climate really mirrors the transition from Baroque to Classical era music in a startling way. The schizophrenic cramming of cacophony into every dubstep drop has given way to bite-sized rap instrumentals. Subtle snare and hi-hats undergird a very pleasant, easily-hummable melody. Far be it from us to call Mr. Folb and Mr. McFadyen nerds for channeling the music from a few dead Europeans from a quarter of a millenium ago, but the proof is in the pudding. We'll let them argue over who gets to be Mozart and who gets stuck being Salieri...